Bravo Renews 'Million Dollar Decorators' for Season 2 (Exclusive)

Joe Pugliese/Bravo Bravo just restored Big Designers, its reality series featuring high budget interior designers in addition to their clients, for Season 2.our editor recommendsJudge: Bravo's 'Million Dollar Decorators' Won't Cause Permanent Injuries to PhotographerA Look Inside Stars' Houses With Hollywood's Top Designers Bravo's 'Million Dollar Decorators': 5 Things You Don't Know (Video) The Hollywood Reporter has learned all five in the La-based designers from Season 1 will return for your second season. They are Martyn Lawrence Bullard, Kathryn Ireland, Jeffrey Alan Marks, Mary McDonald, and Nathan Turner. Production is planning for next season, though a premiere date has not been set. The 2009 summer season on Season 1, the show's designers gave audiences a glance inside the houses, holiday houses, and firms from the high placed and moneyed clients. They incorporated Sharon and Ozzy Osbourne, Joe Francis (creator in the Women Gone Wild video series), Shannon Factor (heir for the Max Factor cosmetics fortune), and former MTV VJ,Daisy Fuentes. A Bravo representative declined THR's request official discuss the renewal. Email: Jethro.Nededog@thr.com Twitter:@TheRealJethro Bravo Big Designers

PIC: Steely-Faced Cop Joseph Gordon-Levitt on the Set of The Dark Knight Rises

It’s been a while since we brought you the latest set shenanigans from Christopher Nolan’s The Dark Knight Rises; we’ve seen so much spoilery action spy footage, why ruin the mystique? Oh, that’s right. Because we are obsessed. Good, good. Carry on. Here’s a picture of Joseph Gordon-Levitt on set in NYC (but not at Occupy Wall Street) as Gotham copper John Blake, in uniform. You’re welcome. Stick around for more Halloween Monday Buzz Break! [THR; photo credit: Wenn.com] There have been many remembrances of Steve Jobs since his passing, but this eulogy written by his sister, Mona Simpson, will get you all choked up and inspired at the same time. [NYT] Johnny Depp’s latest film, The Rum Diary, made just $5 million last weekend. Not exactly stupid money. Were audience members too old, or not gonzo enough, to appreciate the Hunter S. Thompson stylings? [THR] Now Anthony LaPaglia is joining the cast of Quentin Tarantino’s Django Unchained! He’ll play a greedy Australian. [Deadline] Universal’s new would-be Wolfman reboot has begun filming, but will be going straight to DVD/Blu-ray just in time for Halloween 2012. Here’s the synopsis: A monstrous creature terrorizes a 19th C European village by moonlight and a young man struggles to protect his loved ones from an unspeakable scourge in Untitled Werewolf Thriller, Universal Studios’ all-new addition to its time-honored legacy of supernatural thrillers. During his studies with the local doctor (Stephen Rea), Daniel (Guy Wilson) witnesses the horrific consequences of werewolf attacks. Watching as the beast’s fearsome reputation draws bounty hunters, thrill seekers and charlatans to the tiny town, Daniel dreams of destroying the ruthless predator. So when a mysterious stranger (Ed Quinn) and his team of skilled werewolf hunters (Stephen Bauer, Adam Croasdell) arrive to pursue the monster, he offers to join them, despite his mother’s (Nia Peeples) protests. But it soon becomes clear that this creature is stronger, smarter and more dangerous than anything they have faced before. As casualties mount and villagers see their neighbors transformed into ravening monsters, the townsfolk take up arms against each other to find the true identity of the werewolf. Amid the hysteria, Daniel begins to suspect he’s closer to his target than he ever dreamed. [Press release]

Hilary Swank Fires Manager Jason Weinberg

I’ve confirmed the actress has axed her manager of 8 years Jason Weinberg, the founding partner of Untitled Entertainment whom she thanked in their 2005 speech for winning the most effective Actress Oscar for Big Baby. Thefiring was reported today by theUK’s The Independent On Sunday newspaper. It produces that Swank can also be removingCAA agents Amie Yavor and Josh Lieberman from her team which is upset while using tenpercentery’s Lauren Hale too. Nevertheless the paper states Swank is not exiting CAA where her partner of five years, John Campisi, is certainly a real estate agent. Just what’s the primary reason?Thehorrible publicity which Swankreceived after human rights organizations outed they’d recognized an appearance body fat fee simply to walk the Red-colored-colored Carpet creating a speech and givegreetings to Chechnya’s tyrannical leader Ramzan Kadyrov at his special birthday captured even though he’s been connected with brutal abuses.”There’s a whole lot of s–t heading lower at CAA regarding this…,” an informed source emails me. It sureseems that lots of people exercised terrible judgment, to begin with incorporated within this Swank herself. See the entire backstory within the Independent‘s Los Angelescorespondent Guy Adams here.

Terrence Howard offered 'Crew Six' lead

HowardTerrence Howard remains offered charge role in ABC's Hallmark Hall of Fame telepic "Crew Six." Darnell Martin will direct the film, that's scheduled to begin shooting in Atlanta the next month. Her previous helming efforts include numerous episodic TV work, including "The Mentalist," "Detroit 1-8-7" and "Law & Order: Criminal Intent." For your bigscreen, she directed 2008's "Cadillac Records." Hallmark stood a 16-year affiliation with CBS that ended in the year when the Eye made a decision not to renew a deal that known for commiting to three movies yearly. The initial "Hall of Fame" production being broadcast with the Alphabet will probably be "Have a very Little Belief," from best-selling author and sportswriter Mitch Albom. Pic, which airs November. 27, stars Laurence Fishburne, Bradley Whitford and Anika Noni Rose. Jon Avnet is pointing. Contact Stuart Levine at stuart.levine@variety.com

MTV's Killer Halloween: Split Personality

Thank you for going to MTV's Killer Halloween! All week extended, we're searching at ten in the finest horror movie villains ever, together with your help, we'll determine permanently exactly how effective these killing psychopaths and evil masterminds really are. Our participants: Freddy Krueger ("A Nightmare on Elm Street"), Jason Voorhees ("Friday the Thirteenth"), Michael Myers ("Halloween"), Ghostface ("Scream"), Leatherface ("The Texas Chainsaw Massacre"), Chucky ("Child's Play"), Norman Bates ("Psycho"), Pinhead ("Hellraiser"), Hannibal Lecter ("Silence in the Lamb") and Jigsaw ("Saw"). We now have already covered style and weaponry, and you need to show to another crucial element making the horror killer: his personality. Sure you'll be able to slash, you really can stab, but tend to you pull these moves offered with a fantastic one-lining plus an memorable cackle? Following a jump, election around the scale of just one to five -Body being worst, five being best -- to put the personas within our Killer Halloween rivals! Freddy Krueger The main one factor about Freddy is always that he isn't just prone to kill you. He'll cut into you along with his razor fingers and poker fun to you because they does it. No killer's wit is extremely as deadly since the nightmare from Elm Street. Jason Voorhees More the strong, quiet type, Jason can be a mama's boy through and through and pleased with it. He loves his mother a great deal that in "Freddy versus. Jason," his devotion was enough to produce him return within the dead. That's dedication! Michael Myers Less than recognized for his spontaneity, the embodiment of pure evil features a pension for slow walks, investing time together with his sister, Laurie, and using a place searching inside a wall, not seeing the wall, searching past the wall, searching as of this evening. Ghostface The killer from "Scream" might be the horror movie version of the friend who thinks they are fully aware everything about movies. Ghostface won't only annoy you by stalking you on the phone and lastly killing you, he'll have you feeling totally uncultured on the way. Leatherface The victim of horrible in-breeding, Leatherface is essentially a man-child who his family's investing in an offer. His hobbies include chainsaw repair, cannibalism and butchery. Chucky When Charles Lee Ray moved his soul to some great Guy toy, he introduced every ounce of psychosis with him. Chucky may look sweet, but he's evenly the pissed-off killer he was just like a human. Norman Bates Norman can happen as being a mild-mannered motelier who wouldn't hurt a fly, nevertheless the other, more maternal half of his personality certainly would. Norman's the kind of guy who'll produce a sandwich to suit your needs, but Mother's rude enough to eliminate a enjoyable, soothing shower. Pinhead The soul stealer from "Hellraiser" certainly takes the dessert for your kinkiest of movie killings. Pinhead doesn't you need to you to definitely certainly Hell. He would go to Hell after which it tortures you in sadomasochistic functions for individuals eternity. Hannibal Lecter Dr. Lecter is excellent enough to speak with as extended as there's a thick pane of Plexiglas between the two of you. He's a specialist of psychology, whose brain energy is sufficiently strong enough he is able to convince the inmate one cell to shallow their very own tongue. Jigsaw Jigsaw is passionate about testing the moral fiber of his unlucky test subjects. If he finds you worth existence, you'll live, only after studying the worst of Jigsaw's imagination. See the is because of Killer Halloween's weaponry poll! Leatherface saws his in place in this round, with Jigsaw and also the bear-trap masks close behind! Freddy remains most consistent killer in the bunch, but wait, how will that change once personality is taken into account? We'll uncover tomorrow as MTV's Killer Halloween week continues! Justify your votes inside the comments section or hit us on Twitter!

Showtime renews 'Homeland'

'Homeland'Showtime decision to pick up a second season of its newest drama, "Homeland," came as a no-brainer, and clearly the pay cabler believes the skein has a long future ahead of it. Entertainment president David Nevins reiterated that, although the show is based on the Israeli series "Prisoners of War," the net made some major adjustments bringing it to its air, including adding the CIA offer played by Claire Danes. Because of the different storylines, Showtime doesn't have to simulate "Prisoners" going forward. Keeping audiences and critics in the show's favor going forward is a high priority for Nevins, who clearly realizes the mistakes made by a handful of serialized shows, including AMC's "The Killing," which failed to properly wrap up a storyline that was marketed as being finalized. "There's extreme excitement around this show," Nevins told Variety. "Clearly it has caught some piece of the zeitgeist, and that is resonating with people. Our only anxiety is can they (producers and writers) keep it up and not fall into the serialized traps of other shows?" Ratings have been strong since the Oct. 2 premiere. Starring Danes, Damian Lewis and Mandy Patinkin, "Homeland" reached 4.4 million viewers (across multiple platforms) its debut and has increased its aud since, with its fourth episode Sunday drawing series-best ratings. Exec produced by Howard Gordon and Alex Gansa, who adapted Gideon Raff's "Prisoners of War" (from Keshet Broadcasting), "Homeland" will begin production on season two in the spring. Avi Nir, Ran Telem and Michael Cuesta also exec produce. Pay cable rivals HBO and Starz have been quick to renew their own series of late, often without much, or even no, ratings data. Starz recently gave a second-season order to "Boss" before the show even began and HBO has occasionally renewed a series after only one episode. "Homeland" was the first drama greenlit by Nevins -- "Shameless" was given its series order just before he arrived and replaced Bob Greenblatt -- and the terrorism-focused skein has showed a shift in the net's programming taste. "I was always very interested in the material and it seemed a waste to have 'Dexter' alone in the fall," Nevins explains. I was aware this fall would be 10th anniversary of 9/11 and felt 'Homeland' would be perfectly spotted." Nevins reiterated that the core cast would be back for the second season but wouldn't guarantee anything beyond that, nor the length of their deals. Net is currently undergoing contract negotiations with "Dexter" star Michael C. Hall. Nevins is counting on the dispute to be settled long before the new season, if there is one, begins shooting early next summer. Next big challenge for Showtime is to launch dark comedy "House of Lies" with Don Cheadle and Kristen Bell. Skein, from creator Matthew Carnahan, is a scathing look at a self-loathing management consultant from a top-tier firm. Series will debut Jan. 8, along with season premieres of "Shameless" and "Californication." "It's a big glossy show that looks at how American business has been messed up," Nevins said. "It feels very relevant." Contact Jon Weisman at jon.weisman@variety.com

Magnolia Acquires '360,' Starring Rachel Weisz and Jude Law

Magnolia Pictures has acquired U.S. rights to Fernando Meirelles駀, a sexual roundelay starring Rachel Weisz, Anthony Hopkins, Jude Law and Ben Promote.our editor recommendsToronto Film Fest's Top Fashion Claims Magnolia will release the film theatrically in 2012 in primary US areas in addition to will distribute it through its Ultra VOD program. Andrew Eaton, David Linde, Chris Hanley, Danny Krausz and Emanuel Michael produced the film, put together by Peter Morgan. It recentlyserved since the opening evening feature within the London Film Festival. STORY: BFI London Film Festival Opens With Fernando Meirelles' 駀,' Jude Law Shot on location in Vienna, Paris, London, Bratislava and Rio p Janeiro, 360 follows Law just like a travelling businessman who's thinking about a liaison getting a prostitute Weisz, turning up as married lady who's breaking off rapport getting a far more youthful guy Hopkins, just like a guy looking for his missing daughter and Promote just like a sex offender recently released from prison. The sale was talked about for Magnolia by SVP of purchases Dori Begley and mind of legal and business matters Chris Matsonwith UTA, which repped the filmmakers. Related Subjects Jude Law Rachel Weisz Fernando Meirelles Magnolia Pictures

'Paranormal' screams to come to light of B.O.

'Paranormal Activity 3'With an thought $54 million domestic open, Paramount's third installment inside the "Paranormal Activity" franchise increased being the most effective-ever October debut, together with the finest opening for just about any horror film, placing some much-needed existence into exactly what is a blah domestic B.O. lately."Paranormal 3" wasn't prone to land much more than $40 million in your area, showing the micro-allotted series is loaded with lots of scares left within it.Overseas, the horror prequel nabbed a forecasted $26 million from 42 areas, introduced with the U.K., which brought $5.8 million since beginning the film on Friday. Australia showed up second for "Paranormal," with $3.2 million, then Russia and France, grossing thought debut takes of $2.9 million and $2.8 million, correspondingly."Everybody was completely skeptical from the franchise," Componen vice chairman Make the most of Moore told Variety. "But this film is evidence of people inside our creative team, keeping it fresh."Unlike "Paranormal 3," the weekend's other wide releases -- Summit's "The Three Musketeers," from Constantin Films, and Universal's "Johnny British Reborn" -- both first demonstrated below anticipation. "Musketeers" bowed to have an thought $8.8 million "Johnny British" totalled $3.8 million through Sunday.Neither in the photos are very only a couple of Stateside perfs: The "Johnny British" follow-up, grossing yet another $13.5 million, passed the $100 million mark in overseas grosses, while "Musketeers" has cumed just north of $64 million worldwide, using this weekend's reported take at $13.millions of.Despite the fact that "Paranormal 3's" opening outstripped its predecessor's by greater than $ten million inside the U.S., this years overall domestic frame still was lower roughly 3%-5% within the comparable 2010 weekend, when "Paranormal 2" first demonstrated alongside a crop of high-flying holdovers like "Jackass 3dInch and "Red-colored-colored." ("Paranormal 2" and "Jackass 3dInch held the last industry records to find the best horror and October debuts, correspondingly.)But overall totals were up a notable 41% versus. last weekend.Fox Searchlight's "Martha Marcy May Marlene" first demonstrated getting an outstanding $34,385 per-screen average from four locations in NY and L.A.Meanwhile, The brand new the new sony Pictures Classics saw a great second-week development of Pedro Almodovar's "The Skin Home Is,Inch which averaged $12,436 from 21 engagements, up from six last weekend. Pic has cumed $569,335 in your area, a lot better than SPC's "Take Shelter," which in four days makes $522,798.Also succeeding in limited release, Kerbside Attractions' Wall Street-designed thriller "Margin Call" acquired an thought weekend take of $582,400 at 56 locations, thanks mainly to publicity all over the Occupy Wall Street movement. "Margin Call," which acquired a per-screen average of $10,400, broke the house record at NY's Elinor Bunin Film Center where it made $32,750 after 72 hrs. Contact Andrew Stewart at andrew.stewart@variety.com

Hacking Update: News Corp To Cover $4.8M To Number Of Wiped out Girl Accusations Tip In The Iceberg

NY Authors Guild of America East protested outdoors the NY offices of ITV Art galleries Friday demanding the organization, which produces impressive scripted reality television programming, give its American employees the identical rights their unionized British options. WGAE was grew to become an associate of inside the action by people in the Authors Guild from the United kingdom, Irish Authors Guild, Scriptwriters Guild of Israel, Societe des auteurs p radio, television et cinema (SARTEC) the Quebec guild Authors Guild of America, West, La Guilde (French Authors Guild), Australian Authors Guild and Nz Authors Guild. In December 2010 the country's Labor Relations Board completed an election, through which ITV employees selected for your WGAE their representative. ITV won't recognition this election. Yesterday the world Affiliation of Authors Guilds passed a solution calling upon ITV Art galleries which is U.S. subsidiary to recognition the final results in the election also to and recognize the WGAE also to negotiate in good belief. We are here today for just about any simple reason, mentioned Lowell Billings, Executive Director of WGAE. Which is always to demand that ITV give its employees in NY the identical rights loved by its employees in the uk. ITV has attempted legal maneuver after legal maneuver to avoid settling while using WGAE all people maneuvers have not successful. Time for legal games is finished. Showed up at table and start settling.” Robert Taylor, Chair of Authors Guild from the United kingdom mentioned, “We bargain with one another with ITV Art galleries in the uk, which we're shocked the organization is using investor money to fight the Authors Guild in the usa. We're feeling the employees in the usa should have the identical rights as our people.” ITV Art galleries features a fast growing operation inside the U.S. that produces non-fiction (also called scripted reality shows) programs for fundamental cable television, including hit shows The Initial 48 and Four Wedding events. For many several weeks, ITV has rejected to recognize a election by their U.S. employees allowing the WGAE to represent them in contract discussions, despite certification in the election with the National Labor Relations Board. The WGAE Non-Fiction Authors and Producers United states . campaign is certainly an attempt by hundreds of creative professionals in non-fiction TV to win the benefits, pay and respect they deserve. Inside the a year ago, the WGAE has won union elections at four major production companies to begin the collective settling process. The campaign may also be positively attempting to realize that labor law is adopted, and overtime is paid out. The Authors Guild of America, East, AFL-CIO (WGAE) can be a labor union representing authors in movies, television, cable, digital media, and broadcast news. The Guild calculates an offer and supervises contracts that safeguard the creative and economic rights of those conduct programs, training courses, and occasions on issues of curiosity to authors and provide authors sights to several physiques of government. To learn more about the Authors Guild of America, East, visit internet.wgaeast.org.

TV Ratings: ABCs 'Modern Family,' 'Happy Endings' Dip Slightly With World Series

Peter Hopper Stone/ABC According to preliminary numbers, ABC's Modern Family beat out game one of the MLB World Series game between the Texas Rangers and the St. Louis Cardinals in the advertiser-coveted 18-49 demo. It's the second year in a row the ABC comedy topped the World Series in the demo.our editor recommends'Glee,' 'Modern Family' win Peabodys'Happy Endings' scores ratings high, retains more 'Modern Family' lead-in Still, Fox, which aired the game live during primetime, won the night overall -- and may have caused Modern Family to dip slightly. ABC and CBS tied in second with a 3.3 rating. PHOTOS: On the Set of 'Modern Family' On ABC, The Middle (2.9, 9 million) and Suburgatory (3.1, 8.8 million) were flat. Modern Family (5.6, 12.8 million) was down 5 percent, Happy Endings down 6 percent (3.0, 6.9 million) and Revenge down 7 percent (2.5, 7.9 million). CBS' Survivor: South Pacific was up 3 percent (3.3, 11.1 million), as was Criminal Minds (3.9, 13.1 million). CSI was flat with a 2.6 (10.6 million). PHOTOS: Fall TV Preview 2011: The Returning Shows NBC came in third place with a 1.7 rating. Up All Night (2.1, 5.6 million), Harry's Law (1.2, 8.1 million) and Law & Order (2.1, 7.5 million) were all flat. Univision rated a 1.5 The CW was in fifth with a 0.6 A repeat of Sarah Michelle Gellar's Ringer was up 13 percent in total viewers from last week with 1.2 million (and a 0.4 rating). America's Next Top Model (0.8, 1.9 million) out-rated NBC in the 18 to 34 demo in the 9 to 10 p.m. hour. VIDEO: Emmy Roundtable: Comedy Actresses Telemundo came in last with a 0.5. TV Ratings Modern Family

'The Social Network' Tops Key Art Honours

A clip for David Fincher's The Social Media, created by Mark Woollen & Affiliate marketers, won the Grand Key Art award inside the audio-video category within the 40th Annual Hollywood Reporter Key Art Honours on Wednesday evening within the Cinerama Dome. It absolutely was really the only project to win the most effective prize.our editor recommendsKey Art Honours Individuals who win 2011Finalists Introduced For Your Hollywood Reporter's Key Art AwardsTHR's Key Art Honours 2011 A clip also acquired gold honours for editing and music as well as the Social Media website by Imageworks Interactive, acquired a bronze inside the interactive category. "We restarted the honours this year,In . The Hollywood Reporter Author and Senior V . P . Lynne Segall mentioned throughout her opening remarks. "We even reinvented the trophy." The completely new Key Art award resembles a gold klieg light. The Key Factor Art Honours are Hollywood's best honours competition to advertise and communications. This year, THR teamed while using Clio Honours to change the knowing techniques. 5 knowing sections, composed senior level creatives in each medium, ranked the records on three levels: gold, silver and bronze. However, each jury wasn't obligated to award a silver or gold towards the work once they felt nothing was well worth the ranking. PHOTOS: THR's Key Art Honours 2011 The qualifications period appeared to become extended to twenty several days, including anything seen with the public in the month of the month of january 2010 to August 2011. Segall also acknowledged the momentary leak in the evening's individuals who win online with numerous spoof one-sheets within the Social Media ("You don't achieve 2500 records without creating a few competitors."), 127 Several hours (127 Leaks) as well as the Fighter (The Leaker). Other projects producing gold honours were the start trailer by BLT & Affiliate marketers inside the audio/visual category for motion graphics and original music. The Jason Bourne: Ghost Protocol trailer by Audio-video Squad inside the audio-video number of editing as well as the Last Exorcism's Chatroulette Reactions online with the Visionaire Group inside the audio-video number of viral marketing. The movies that needed home most likely probably the most honours were Beginning, which needed seven total honours inside the audio/visual and at home campaign groups Kick-Ass, which received seven honours inside the audio/visual, at home and interactive campaign groups as well as the Fighter, which won six honours inside the audio/visual category. STORY: Key Art Honours 2011: Complete Report on Individuals who win Lionsgate, which handled its own advertisements, was the only real finest champion, taking 13 honours for Hidden, For Colored Women, Kick-Ass as well as the Expendables. The Wally Disney Art galleries was the finest studio, also with 13 wins, while Audio-video Squad was the finest vendor with 10 wins. In TV, Fox Broadcasting won a bronze inside the print category for House's clown-face one-sheet Menagerie Creative won a silver for your It's Always Sunny in Philadelphia DVD box set 6-pack set Wally Disney Art galleries Home Theatre won a bronze due to its Lost: The Whole Collection packaging and Miami Ad School won a silver for your Real Regular folks of NY at home campaign titled "Reality Unlike Your Individual.In . For game game titles, The Ant Farm acquired a silver award inside the audio/visual category due to its Cod: Black Procedures launch trailer, together with a bronze due to its game packaging for Disney's Epic Mickey. Gas won a bronze due to its God of War III unique packaging. Accurate documentation-breaking 2,558 records were judged with this particular year's Key Art judge sections, chaired by Michael Kahane of Mojo LLC for audio/visual, Bemis Balkind owner Peter Bemis for print, AvatarLabs founder Rex Get ready for interactive, Beck Media & Marketing leader Todd Beck for PR, and Cheryl Savala, executive creative director of Menagerie Creative for display ads. For complete report on individuals who win follow the link. Related Subjects Key Art Honours The Social Media

First poster released for The Texas Chainsaw Massacre 3D

Although the latest instalment in The Texas Chainsaw Massacre franchise isn't released in theatres until October 2012, the eager beavers in Hollywood have already unveiled the new poster for the film.The Texas Chainsaw Massacre 3D ignores all the other films in the series and picks up where Tobe Hooper left off in 1973.Directed by John Leussenhop, Chainsaw 3D stars Alexandra Daddario as a young girl who heads to Texas to collect her inheritance money.Little does she know that part of her inheritance is our dear chainsaw-wielding, human skin wearing pal Leatherface.Other details haven't been released, but apparently the new film serves as a 'love letter to fans,' this may be due to the list of our old favourites who are reuniting for the film.We'll see the likes of Gunnar Hansen and John Dugan, and cameos from Marilyn Burns and Bill Moseley.So, against our better judgement, we're actually pretty excited to see the return of Sally, Leatherface and Choptop to the franchise. This is one family reunion we're actually looking forward to.Newbies to the project include Tania Raymonde, Trey Songz, Karem Malicki-Sanchez, Thom Barry and Dan Yeager as Leatherface.So everybody's favourite inbred cannibalistic family is back! And they're welcoming us home with open arms (gripping a blood-dripping chainsaw), see the new poster below.

REVIEW: Elizabeth Olsen Beguiles in Martha Marcy May Marlene

The opening scene of Sean Durkin’s debut feature Martha Marcy May Marlene suggests we’re in for a big rusty bread pan’s worth of rural miserablism, and even though we’re not, the yeasty grayness of those early moments is clearly intentional: A group of women in drab dresses and droopy T-shirts go about preparing dinner in a house whose unfinished interior looks either new and hastily erected or ancient and about to fall apart — it’s hard to tell which. A young boy stomps about in a dusty, scrubby yard; a woman sits on the porch working on a crocheted afghan. When dinner’s ready, a bunch of men sit down to eat; then they leave the table — the man who appears to be the leader murmurs something appreciative about the meal — and the women take their places. Then there’s one lone shot of a ton of dirty dishes jumbled into and around the kitchen sink — there’s no question who’s going to be scouring them clean. It’s as if Amishtown had been taken over by a nicer version of the Manson family. Or maybe they’re not so nice. But what makes Martha Marcy May Marlene so beguiling — aside from the performance given by its lead actress, Elizabeth Olsen — is that the pall of creepy groupthink that hovers over that first scene works as a perverse kind of seduction: You want to know more about this place, and about these people, even though you suspect that knowing more may not be a good idea. Even if you think your brain is soap-proof, Durkin succeeds in washing it just a little bit. The heart, soul and eyes of Martha Marcy May Marlene belong to Olsen’s Martha, a young woman who leaves this strange, crazy-cozy household very early in the movie: We see her heading into the woods with just a small pack on her shoulder, though we also hear the squeak of a screen door and a man’s voice calling after her. Wherever it is she’s running from, she ends up at the Connecticut summer home of her sister, Lucy (Sarah Paulson). The two are clearly estranged, and not just because Martha’s been in a cult for a couple of years; from their exchanges, both the early and the late ones, we can see that the two sisters have never been close. Lucy is now married — a development Martha knew nothing about — to a vaguely uptight architect or developer (all we really know, or need to know, is that he’s some kind of property guy) played by Hugh Dancy. The two welcome her into their luxurious split-level house on the lake, obviously wishing they could unwelcome her. From that point, Martha’s present, in oh-so-safe Connecticut, is intercut with scenes of her past, in that commune somewhere in the Catskills. The place she’s left is presided over by a bookish self-proclaimed prophet named Patrick (John Hawkes, looking like Charles Manson as shot by Walker Evans), who has built a pastoral Utopia where the inhabitants live off the land and allegedly love one another unselfishly. The setup works out fabulously for him — he gets to ritualistically sleep with all the women. But Martha, he claims, is his favorite, and if she stupidly believes it, somehow we do too: She has a solemn, knowing face, with eyes that can melt one minute and pierce the next. She takes to the welcoming pseudowarmth of this new family, even as we can see she’s holding herself apart from it just a little bit. When she’s first introduced to Patrick, by the savvy-dippy young cult member (played by Louisa Krause) who’s taken her under her wing, she compliments him on what he’s done with the land, planting vegetable crops and whatnot. “It’s as much yours as it is mine,” he says with a twinkle of phony generosity in his eyes; she smiles at him a little too demurely, as if to say that she’s listening but not buying, at least not yet. Olsen’s performance is restrained but not tentative; you could say the same for the movie around it. Durkin, who also wrote the script, doesn’t indulge in lots of shaky camera business to convey, you know, the character’s inner turmoil. (The DP here is Jody Lee Lipes.) Even though there’s at least some handheld camera work, you have to really look for it: Some camera dude out there is working really hard at keeping the frame steady, and it’s almost a subliminal effect — if Martha is looking for something to hang onto, maybe we are too, though we barely know it. Durkin is perhaps too obvious in the way he heightens the contrast between Martha’s lumpy-oatmeal commune existence and the overpolished gloss of her sister’s lifestyle. At one point Martha jumps up from sunbathing with her sister on a classy lakeside dock and leaps into the water completely nude, as she would have done back at the old communal swimmin’ hole. Lucy, aghast, hauls her out. “You can’t do that here!” she hisses, and I kept wishing the next line would be, “It’s Connecticut!” But of course it wasn’t — Durkin isn’t going for laughs here, though it’s all too easy to fill in the blanks for ourselves. Still, Paulson and Olsen capture the uneasy electricity of siblings who just can’t get along but who nonetheless remain connected. Paulson plays Lucy as uptight but not unwatchably severe: Sometimes she looks at Martha as if she’d just landed from another planet — or, equally weird, just stepped off a lilypad — and given the unnerving nature of Olsen’s performance, you can see why. One minute she’s bracingly direct; the next she seems to be blinking her way through amniotic fluid, like a newborn lamb fighting for life. You don’t watch her and think, What a dope she is, having fallen for all that hippie-dippie cult stuff. Instead, you see how the perceived security of that makeshift family would make sense to her, up to a point. In other words, Durkin doesn’t condescend to the character he’s written, and in return, Olsen rises to the challenge of that character. At one point, Patrick tries to punish Martha with twisted praise, asserting that she’s a lot like him. Minus the cruelty and the craziness, maybe she is: As Martha, Olsen throws off a muted self-assurance that reads as a kind of charisma. We fear for her every minute, and yet for better or worse, we’d follow her anywhere.

Toronto: Magnolia Acquires Sarah Polleys Take This Waltz

Magnolia Pictures has acquired U.S. rights to Take This Waltz, the film written and directed by Sarah Polley that stars Michelle Williams, Seth Rogen, Luke Kirby and Sarah Silverman. The film made its debut as an acquisitions title at the 2011 Toronto International Film Festival. Williams plays a young woman struggling to choose between her husband and another man she has fallen in love with. The deal was made with TF1 International. Magnolia plans an early summer 2012 theatrical release, and the film will be part of its Ultra VOD program.

Fresnadillo Exit Within The Crow Confirmed

Juan Carlos Fresnadillo has departed Relativity Media’s reboot in the Crow, Deadline has confirmed, following lately’s news within the Toronto Film Festival the The the spanish language language director features a holding deal to helm Summit Entertainments reboot of Highlander, put together by Art Marcum and Matt Holloway. Twitchfilm today known towards the “revolving door” round the Crow, which has seen multiple company company directors, authors and stars appear and vanish. In Fresnadillo’s situation, in a single “reboot” to another. Production on Highlander is scheduled to begin in the year.

WB Looks to Rome, Sweet Rome Pitch

Purchasing Des Moines-based author James Erwin’s first script pitch was accomplished by having an unusual route: social news aggregator website Reddit.com. Warner Bros. bought Erwin’s pitch Rome, Sweet Rome after Reddit clients selected to boost his idea up in the site’s web page. The idea? Contemporary U.S. marine corps by some quirk of fate are gone to live in An Italian Man , Capital where they suffer from Roman scores. Because the Marine corps’ presence interferes with history’s timeline, they need to set things back around the right course to return home. Adam Kolbrenner from Madhouse Entertainment spotted the publish and contacted Erwin, a couple-time Risk! champion, to develop his concept for just about any quick purchase. Kolbrenner will produce as well as Hollywood Gangs Gianni Nunnari (300, Immortals). John Ridley will oversee for Hollywood Gang. Chris Gary will shepherd the job for Warner Bros. Erwin’s next book, meanwhile, is past U.S. military actions apt to be launched next season.

At NYFF: Michelle Williams Talks Up Wry, Romantic My Week With Marilyn

It almost wouldn’t be the NY Film Festival these days without Michelle Williams, whose My Week With Marilyn marks the actress’s fourth effort in five years to grace Manhattan’s venerated fall-movie showcase. It’s inarguably her highest-profile work to splash down here — a world premiere debuting in the festival’s prestigious Centerpiece slot, glowing with awards-season ambition and hinging almost entirely on Williams’s risky interpretation of Marilyn Monroe. But come on: We’re talking about Michelle Williams here. Of course she pulled it off. Based on a pair of memoirs by Colin Clark, My Week With Marilyn breezes around the pitfalls of the modern biopic, instead bringing to life a notorious cultural moment — the making of The Prince and the Showgirl, the troubled Monroe/Laurence Olivier collaboration from 1956 — through Clark’s disarming coming-of-age perspective. An art historian’s son with designs on a filmmaking career, Clark (played here by Eddie Redmayne) persists and finagles his way into Olivier’s inner circle ahead of Showgirl’s production. Finally (almost punitively) assigned the deceptively titled job of third assistant director, the 23-year-old finds himself fetching tea, booking accommodations and, before he knows it, retrieving the tardy, insecure American sexpot from her dressing room at Pinewood Studios. Thus begins a simmering courtship between the two, chaste at face value but unswervingly romantic in its coalescence of privilege and damage. The whole film, directed with aplomb by Simon Curtis, inhabits and traverses the space between those dynamics: Monroe exhausts the vexed Olivier (Kenneth Branagh), alienates her new husband Arthur Miller (Dougray Scott), captivates her great British co-star Dame Sybil Thorndike (Judi Dench), and is the perfumed gust that sends Olivier’s wife Vivien Leigh (a beautifully vulnerable Julia Ormond) tumbling over the precipice of middle age. (In real life, Leigh originated Monroe’s Showgirl role on the London stage in Terrence Rattigan’s source play, The Sleeping Prince.) Fully aware of and thoroughly destabilized by her effect on this pedigreed class, Monroe’s confidence in Clark comes as a threat to some and a surprise to all. Yet the duo’s connection enables Monroe to pursue crucial moments away from her doomed screen persona. Williams thrives in both modes, to say nothing of her performance of Monroe as Showgirl’s titular Elsie Marina. Combining the three — often in the same scene, directed by Olivier within direction by Curtis — proves a nimble feat of craft that eschews convention, mythology and everything we think we know about Marilyn Monroe. In a press conference following this morning’s screening, Williams emphasized the subtleties separating Marilyn onscreen and off — nuances lost in the unfortunate tradition of, as NYFF programmer Scott Foundas put it, “bad impersonators” who’ve reincarnated Monroe for the camera. “Because the previous representations of her were more of that ilk, it felt like that was kind of the first thing that made me think, ‘Well, maybe I can explore this,’” Williams said. “It was a decision made kind of in the safety of my own home; I didn’t really consider the larger implications of it. And it was a very, very slow process. It all started at home. It all started with watching movies, listening to interviews, poring over books. It was just something that I put on in my living room — mimic a walk, or figure out how exactly it is she’s holding her mouth. “The first sort of big discovery that I stumbled on was that [for] Marilyn Monroe herself, ‘Marilyn Monroe’ was a character that she played,” Williams continued. “The image that you’re most familiar with? There’s a person underneath there. That was the first big discovery: That it was carefully honed, but it was artifice. It was honed to where you couldn’t tell that it was artifice. It felt so real, but it was something that she’d studied and perfected and crafted. So once I discovered that that was a layer, I was finding out what that layer was and getting underneath it. It was a long and ungainly process.” But it pays off. I enjoyed the hell out of My Week With Marilyn, from its intermittent song-and-dance interludes (“It still comes up on my iPod all the time — all the Marilyn Monroe,” Williams said of the songs she sang for the film) to its wry period infatuations to its clipped classical austerity laid waste by Monroe’s woozy compulsions. Mostly, though, Marilyn succeeds as a loving movie about movie love — the lightness of its bliss, the heartache of its illusions. None of the film’s personal infatuations (particularly that of an extraneous wardrobe girl played by Emma Watson) yield quite the charge of the lush moving pictures they serve. It’s almost ghostly in a way — and to hear Redmayne tell it today, maybe not by accident. “I think one of the great things of the whole production was the sense that we shot in the same studio that The Prince and the Showgirl was shot in.” turned to Williams. “And… your dressing room?” “My dressing room was Marilyn’s actual dressing room when she was making Prince and the Showgirl,” Williams said. “And Parkside House is playing Parkside House,” Curtis said of the star’s rented English residence. “So when Marilyn is sitting on those stairs having looked at Miller’s journal, Michelle sat on the very stairs that Marilyn would have sat at. One of the great moments for me was when we shot that wonderful dance from The Prince and the Showgirl. We were actually seeing that on the same stage — on the very spot — where I think it was in 1956 that Marilyn actually danced. In that very spot! It was incredibly moving and incredibly special.” Indeed. Keep an eye on Movieline for more about My Week With Marilyn as its Nov. 4 release date approaches. PREVIOUSLY: David Cronenberg, Michael Fassbender Bring Their Dangerous Method to NYFF

Fox renews 'MasterChef'

Fox has bought another season of "MasterChef" with Gordon Ramsay. News round the reality skein starring Gordon Ramsay happen to be expected, thinking about the truth that a casting demand season-three participants was broadcast throughout season two, which found the final outcome August. 16. The summer season finale won its 9 p.m. timeslot among grownups 18-49 getting a couple.4 rating and 8 share. Greater than 7 million audiences overall seen. Ramsay professional produces "MasterChef" with Elisabeth Murdoch, Robin Ashbrook, Adeline Ramage Rooney, Pat Llewellyn and Ben Adler. Reveille then one Potato Two Potato produce the series, with various format co-created by Franc Roddam and Shine, which distributes. Contact Jon Weisman at jon.weisman@variety.com

Billy Burke Sorta Certifies She's Dating Rachelle Lefervre

When gossips made an appearance that 'Twilight' co-stars Billy Burke and Rachelle Lefervre were dating each other, tabloids (and teen women) everywhere went wild. The simple truth is, the two haven't exactly confirmed their relationship and possess always handled to obtain their private existence in the spotlight. To date. Maybe. Throughout the interview with British GQ, Stewart stated that her "boyfriend is British." However, following a author supported, Stewart was quick to point they "never may have mentioned after i understood you're ending up in me" (forget the fact she'd been asked). Stewart added that "lots of my existence is actually easily Investigated ... I'm speaking about, it's like, 'Come on males, it's so apparent!'" So, there you have it: Billy Burke is dating an british dude and Rachelle Lefervre is British! It kinda counts just like a semi-confirmation! That noise you just heard were the screams of countless Twi-hards around the globe. [via Us Weekly] [Photo: AP] Follow Moviefone on Twitter Like Moviefone on Facebook The Twilight Saga: Breaking Beginning - Part 1 See All Moviefone Galleries »

Will and Jada Pinkett Smith Sell Comedy to ABC (Exclusive)

ABC has nabbed a multicamera comedy from Will and Jada Pinkett Smith.our editor recommendsWhite House Drama From 'Cowboys & Aliens,' 'Robot Chicken' Teams Lands at ABC The pair, along with long-time business partner James Lassiter, have sold the Untitled Romeo Project, with singerAnthony "Romeo" Santostapped to star. PHOTOS: Fall TV Death Pool: Which New Show Will Be Axed First? The project, which hails from ABC Studios and their Overbrook Entertainment, centers on a charasmatic Dominican-American (Romeo) from Washington Heights, who tries to please his very traditional, immigrant father while also creating a life that reflects his new vision of the American Dream. (While the character differs significantly from the singer's real life, the father-son relationship is reminiscent of Romeo's with his father.) STORY: Mark Gordon Sells Home Security Comedy to ABC Chris Pappas and Mike Bernier (Unhitched, One Night Stan) will serve as writers and executive producers on the project, with the Smiths and Lassiter attached as non-writing executive producers. If ultimately ordered to series, it would join a growing cadre of Smith projects, including films The Karate Kid and The Secret Life of Bees, along with Broadway's Fela! and TNT's since-canceled Hawthorne. Email: Lacey.Rose@THR.com Twitter: @LaceyVRose Related Topics ABC Jada Pinkett Smith Will Smith TV Development

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John Calley memorial looking for March. 19

A memorial to celebrate John Calley's existence and career is going to be held at 4 p.m. March. 19 at The new sony Pictures Galleries. Longtime studio professional and producer Calley died Sept. 13 at 81. RSVPs are needed by March. 14 to 310-244-4142. Parking is going to be covered within the Overland Parking structure. All visitors should enter with the Overland gate for directions towards the celebration. Contact Variety Staff at news@variety.com

About That Time James Franco Almost Died in an Ape's Arms

Spoiler alert: James Franco’s character wasn’t always supposed to survive the Rise of the Planet of the Apes chaos. According to an early script, Franco’s Will Rodman was supposed to die in the arms of his primate pal Caesar after being hit with a bullet during the dramatic forest showdown. At the last minute, the filmmakers decided to change the ending and flew the actor cross-country to film an alternative goodbye scene with Caesar (Andy Serkis). The casualty-free climax made the final cut, Rise of the Planet of the Apes grossed over $400 million worldwide and Will Rodman lives to film a potential sequel. [THR]

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'Smurfs' sees only local rivals

"The Smurfs""The Smurfs" might not be setting the overseas weekend box office burning every week, however the The new sony live action-toon hybrid displayed sturdy enough legs to stand above all competitors for that seventh straight week, collecting $12.six million over the past weekend of Sept. 23-25, to push its worldwide cume beyond the $500 million mark.Even though major studio game titles weren't in a position to catch "The Smurfs" as a whole overseas grosses, several foreign-lingo photos completed solid perfs in your area. For example, Lebanese Oscar entry "Where Will We Go Ahead Now?Inch bowed with $153,358, which makes it the greatest opening to have an Arabic-speaking pic for the reason that country. The neighborhood record occured formerly by Lebanese TV production "Daddy's Girl," which collected $109,341 in 2007, then 2009's Egyptian blockbuster, "Omar & Salma 2," with $110,828.Also attractive to local auds, "Mannerherzen 2" -- a co-production among Warner Bros. Pictures Germany, Wiedemann and Berg Filmproduktion -- remained atop the German B.O. because of its second consecutive frame, having a weekend take of $1.7 million for any local cume of $5.5 million.The follow-as much as 2009's "Males within the City," about several males who fall interior and exterior love, made $6.4 million with each other from Germany, Austria and Europe.Warners also distribbed local title "Top Cat" in Mexico, in which the film required in $1.7 million in the soph sesh -- enough to keep no. 1 place for the reason that territory. "Top Cat," created by Anima Estudios in Mexico and Illusion Galleries in Argentina, totalled $5.six million in your area after two days.Last Century Fox launches Indian pic "Pressure," within the coming weekend in eight areas mostly including in the centre East, in addition to Australia and also the U.K. Contact Andrew Stewart at andrew.stewart@variety.com